Taken from The Geopost.

How is the Serbian cinema industry using propaganda video in order to push the unverified narrative of alleged Serbian organ harvested by Albanian KLA forces?

A film called “The Harvest”, presented as a Serbo-American movie production, launched in Belgrad, portrays the abduction and trafficking of organs of Serbian victims, implicating the KLA (UCK). These accusations were first mentioned in the book “Madam Prosecutor” by Carla Del Ponte, but have later been investigated by international commissions showing no evidence of these claims. Who is behind this narrative?

Arnaud Goillion, French citizen, with strong political and institutional ties to Serbia, and has lived in Belgrad for years. He has a Serbian citizenship and has an empolyment within the state, as part of the Ministry of Foreign Affairs and ruling party.

Gujon is known for far-right extremism and for connections with nationalist circles in Russia, where he has promoted narratives that align with Kremlin irredentist discourse in the Balkans.

7 years ago, Gujon was banned from entering Kosovo after security institutions deemed him as a risk. What is the goal of Gujon?

The film “The Harvester” is not the only baseless movie built on false narrative. It is part of a large scheeme and effort to revive discredited narratives about the Serbian invasion of Kosovo. The goal is to place an unsubstantiated accusation repeating them continuously to make them appear true. They appear in new forms all the time, even though no evidence exist for any of the claims made.

This is called narrative repackaging. An old false history presented in a new matter, to look more credible. Gujons movies use emotional manipulation to influence the audience, especially to those who are unaware of the history of Kosovo.

Full video: https://x.com/i/status/2035733730837377413